Today, in a city that is a quarter Black, just one out of full-time players is Black: Anthony McGill, the principal clarinet. The status quo is not working. If things are to change, ensembles must be able to take proactive steps to address the appalling racial imbalance that remains in their ranks. Blind auditions are no longer tenable. This well-intentioned but restrictive practice has prevented substantive action when it comes to the most essential element of maintaining an orchestra: hiring musicians.
But in sticking so stubbornly to the practice, unions may be hurting themselves, their orchestras and their art form. Hanging on to a system that has impeded diversity is particularly conspicuous at a moment when the country has been galvanized by revulsion to police brutality against Black Americans — and when orchestras, largely shuttered by the coronavirus pandemic, are brainstorming both how to be more relevant to their communities and how to redress racial inequities among their personnel when they re-emerge.
Removing the screen is a crucial step. Blind auditions are based on an appealing premise of pure meritocracy: An orchestra should be built from the very best players, period. There is an athletic component to playing an instrument, and as with sprinters, gymnasts and tennis pros, the basic level of technical skill among American instrumentalists has steadily risen.
A typical orchestral audition might end up attracting dozens of people who are essentially indistinguishable in their musicianship and technique. Such a school can move past those marks, embrace diversity as a social virtue and assemble a freshman class that advances other values along with academic achievement.
For orchestras, the qualities of an ideal player might well include talent as an educator, interest in unusual repertoire or willingness to program innovative chamber events as well as pure musicianship. Americas Contemporary Dance. October 15, HGauditions Views audition usa , new york , new york audition , new york dance audition , ny , NY dance , ny dance audition.
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Guardians are not allowed to observe auditions. Rockettes candidates must be proficient in ballet, tap, and jazz. To learn more about the history of the Rockettes , click here. Male and Female Dancers must be proficient in jazz and ballet. Pointe work is a plus, but not required, for Female Dancers. Male and Female Dancers will be taught a song as part of the audition. There is no need to prepare vocal material.
Voice quality is not as important as the ability to sing and dance at the same time. Male and Female Vocalists must have STRONG music reading skills, be able to learn tight complicated harmonies quickly, be able to sing in a variety of different styles pop, musical theatre, a cappella groups , and be able to move well. Bring sheet music for 16 bars of a song in your own key that best exemplifies your natural style.
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